GOODCREW

2 notes

GOODCREW　―ぐっとくる―

選んだ眼の焦点の厳しさは、たとえ手に材料と道具を持たずとも、自らの眼により、深く心へ刻むというだけで、

それなりに新たな美を生むことが可能なことを実証し、柳(宗悦)の場合は蒐集することが、そのまま立派な創作となりました

濱田庄司『無盡蔵』

The severity of the focus of the eye is selected, with no hand tools and materials,

even if by their own eyes, and just to carve deeply,

that can be demonstrated that a new breed of beauty in its own way,

Yanagi (Muneyoshi) that if the collector has become a great creative intact.

Shouji Hamada[MUJINZO]